The New York Times reviews MoMA show that features work of UB analog film makers

An article in The New York Times about younger artists who are embracing analog film as a medium, despite the growth of digital technology, looks at the renewed attention being paid to experimental filmmakers from the 1960s and ’70s, including those involved with UB’s legendary Center for Media Study, among them, Hollis Frampton, Tony Conrad and Paul Sharits.

Read more:

http://www.nytimes.com/2014/01/03/arts/design/conceptual-works-in-images-of-an-infinite-film-at-moma.html?emc=rss&partner=rss&_r=0