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"Virtual clay" brings act of sculpting to the virtual world
By JOHN DELLA CONTRADA
Contributing Editor
Researchers from UB's Virtual Reality Lab have developed a new tool for transmitting physical touch to the virtual world.
Screen shot of the software.
Their virtual clay sculpting system enables users to replicate in real time on a personal computer the physical act of sculpting a block of clay or other malleable material. The resulting 3-D electronic shape shown on the computer screen then can be fine-tuned for product design using standard computer-aided design/modeling software.
"This technology will give product designers, or even artists, a tool that will allow them to touch, shape and manipulate virtual objects just as they would with actual clay models or sculptures," says Thenkurussi Kesavadas, director of the Virtual Reality Lab and associate professor of mechanical and aerospace engineering in the School of Engineering and Applied Sciences.
Using technology developed by the UB researchers, virtual blocks of clay can be shaped on the computer screen according to changes made by hand to an actual block of clay. The technology provides an intuitive first step for product design and prototyping.
PHOTO: JOHN DELLA CONTRADA
"We believe this tool will be a valuable first stage in the sculpting or molding of complex shapes, leading to the design of a variety of products for a variety of industries," Kesavadas adds.
Kesavadas developed the tool with Ameya Kamerkar, a graduate student in the Department of Mechanical and Aerospace Engineering. A provisional patent on the technology has been applied for by the Office of Science Technology Transfer and Economic Outreach.
The technology utilizes a ModelGlove developed by the researchers to record the force exerted by hand when depressing and shaping a block of clay. This force-feedback information, as well as information on hand position and speed of fingertip motion, is instantaneously communicated to a personal computer where a virtual block of clay-possessing characteristics mimicking the physical properties of the clay-is shaped precisely to the contouring of the actual clay.
In tests conducted in the Virtual Reality Lab, the researchers have used the technology to sculpt and then design a prototype car hood, for example.
The technology improves upon existing freeform NURBS (Nonuniform Rational B-spline Surfaces) modeling techniques, the researchers say, because it is the only technology capable of transferring touch directly from the user's hand to the virtual object. Other technologies on the market require users to shape a virtual object via mouse and keyboard by clicking on selected points on a virtual object and then inputting data to change its shape.
One such haptic (touch-based) modeling system called FreeForm(tm), which uses the Phantom(tm) haptic device, is expensive and is limited in its ability to provide multiple points of contact on its sensing tool, thus making its use rather tedious and non-intuitive, Kesavadas says.
"Our technology is far more intuitive than click-and-drag virtual prototyping tools currently in use," he explains. "The most natural tool for a designer is his or her hand."
Currently, the ModelGlove is equipped with a single touch sensor on the tip of the index finger. On the computer display, the user's finger is represented as one of three virtual tools: a sharp tool for making small deep holes, a medium size for gauging or molding the clay and a large diameter tool for rough shaping of surfaces.
The next generation of the ModelGlove will have sensors on all fingers and on the palm of the hand to give users full finger control of virtual clay. This will enable users to perform complex touch actions—such as kneading the ball of clay—in the virtual environment, according to Kesavadas.
Eventually, the UB researchers hope to develop an array of sculpting tools using the technology.
"Anything used by hand in an artist's shop can be converted into a tool, even a potter's wheel or chisel," Kesavadas says. "The whole purpose is to translate the natural feel of working with clay or other material to the computer and to have the computer understand what the designer or artist is feeling and doing."
Kesavadas and researchers from the Virtual Reality Lab are leaders in the development of haptic technologies that bring a sense of touch to virtual reality. They also are working on touch systems with medical applications, including technologies to transmit the feel of a patient's abdomen over the Internet and a system to capture and replicate the force exerted by a surgeon with scalpel.
"Touch is the next frontier in the evolution of virtual reality," Kesavadas says. "Most virtual-reality technologies to this point have focused on 3D visualization, but the sense of touch may be the most powerful way to make virtual reality more real."