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Magda Cordell McHale, professor emerita
Magda Lustigova Cordell McHale, professor emerita in the Department of Urban and Regional Planning, School of Architecture and Planning, and a pioneering and influential American artist and futurist, died Feb. 21 at the Buffalo home of her friend and caretaker, Denise Kelleher.
Born in Hungary in 1921, McHale was a member of the UB faculty from 1978 to 1999. She was married to the late Frank Cordell, musical director of EMI, and the late John McHale, the groundbreaking artist who is considered the father of the Pop Art movement.
Kathryn Foster, professor of urban and regional planning and director of the Regional Institute, worked with McHale for several years and called her "truly one of a kind; a unique personality, opinionated and totally direct, worldly wise and known for her tremendous forethought—a big thinker who decades ago brought a deep knowledge of globalism, intergenerational shifts in thought and culture, and the impact of new technologies long before the rest of us began to consider them. These are the issues that informed her life,” Foster said.
"Magda was a professor emerita who never attended college. This would be extremely difficult today, but she demonstrated to all of us how thinking outside the canon, its tools and methods can enrich and deeply inform academia.
“She was devoted to her department, and with the deepest generosity promoted our understanding of its history and the unique personalities who shaped it,” she said. “In all of her years at UB, she never missed a faculty meeting and to the end remained in touch with former students and they with her. She was deeply appreciated by all of us and will be deeply, deeply missed."
In 1946, McHale was a regular figure at London’s newly formed Institute of Contemporary Arts, which was and is devoted to nontraditional, anti-academic artistic expression and helped launch Pop Art, Op Art and British “brutalist” art and architecture.
A few years later, she, Cordell and John McHale were among the founders of the Independent Group (IG), an influential British collaborative that grew out of a fascination with American mass culture, post-World War II technologies and the post-war British aesthetics of plenty.
Throughout the 1950s and 1960s, McHale explored her interest in the creative processes and bodily iconography in a series of large-scale, monumental paintings and mixed-media monoprints that were exhibited in major galleries.
Distinguished architectural critic Rayner Banham, also a member of the UB faculty, included a photograph of her painting “Figure” (1955) in his article “The New Brutalism” in Architectural Review in 1955. Today, her work is held in several major public collections, including the Tate, London and the Albright-Knox art galleries.
McHale spent decades researching and writing about the long-range consequences of social, cultural and technological change on global societies. She was a fellow of the World Academy of Art and Science, and past vice president of the World Futures Studies Federation.
In celebration of this legacy, she endowed the McHale Fellowship in the School of Architecture and Planning in 2000 to support design work that involves speculation on the impact of new technologies on architecture.
Her books included “Facts & Trends: The Changing Information Environment; An Information Chartbook” (1985), “Ominous Trends and Valid Hopes: A Comparison of Five World Reports” (1984) and, with John McHale, “Basic Human Needs” (1978), “Futures Directory” (1977) and “Women in World Terms: Facts and Trends” (1975).
She was on the editorial board or editorial advisory board of several publications, including Multi: The Journal of Diversity and Plurality in Design, published by the Rochester Institute of Technology.
A memorial service will be held at 10:30 a.m. today at the Amherst Memorial Chapel, 281 Dodge Road, Amherst. There will be no prior visitation. In lieu of flowers, donations may be made to Hospice Foundation, Buffalo. A larger memorial service will be held later in the year.
Willard Harris, former art department chair
Willard R. Harris, an accomplished painter and former chair of the Department of Art, died Feb. 21 in his home in Buffalo. He was 74.
Born in Bloomington, Ind., Harris received his bachelor’s degree from John Herron Art School in Indianapolis. After serving a two-year stint in the Army in the late 1950s, he earned his MFA in 1961 from Tulane University.
Harris worked and exhibited professionally in New York City before moving to Buffalo in 1965 to join the UB faculty as an assistant professor. He was promoted to full professor in 1979.
Harris was a pioneer in the split-picture plane, reproducing landscapes and cityscapes that simultaneously offer both aerial and straight-on views of their subject. His work features large abstract paintings, varied watercolors, acrylics and oils. His most recent inspiration was his longtime summer home on Java Lake.
Harris’ work has been exhibited locally at the Albright-Knox and Burchfield-Penney art galleries, as well as in other museums and galleries around the country.