University at Buffalo - The State University of New York

Published: November 1, 2007

By SUE WUETCHER
Reporter Editor

Everyone, it seems, has an opinion about the new artwork in Founders Plaza.

The urns in Founders Plaza were commissioned originally by a Cleveland arts group and reflect the force of the wind off Lake Erie.
PHOTO: DOUGLAS LEVERE

Originally commissioned by a Cleveland arts group, "For the gentle wind doth move Silently, invisibly" by noted artist Brian Tolle was installed in the plaza last month on a two-year loan.

Marilyn Kramer likes the urns. So does Claude Welch.

"They are a perfect visual metaphor of a really windy day on campus, the kind of day that requires holding on to stationary objects just to remain in place," said Kramer, head of the Cataloging Department for University Libraries Central Technical Services. "I laugh every time I walk past them."

Noted Welch, SUNY Distinguished Service Professor in the Department of Political Science, who also responded to the Reporter's unscientific survey: "The blooms can change by the season, the shape is curvilinear rather than rectilinear, and the 'oil lamp' can be seen as a variety of symbols."

But not everyone on campus cares for the work.

To one university administrator, who declined to give his name as he crossed the plaza on a recent weekday, the urns, which are set upon pedestals that line the edges of the plaza, "look like they're melted."

"What bothers me is that they're all different shapes," he said. "If they were all the same, they would not be so bad."

One Crofts Hall resident called the pieces "pedestrian."

"I'm disappointed," she said. "They're more decorative; I don't see them as art."

No matter one's personal taste, the artwork is generating discussion. And that's the whole point of public art, said Robert Shibley, professor and director of the Urban Design Project in the School of Architecture and Planning who is overseeing UB's ongoing master-planning process.

"Whether you love it or hate it, it generates a fair amount of conversation and interest, which is precisely what art is supposed to do," Shibley said.

Added Sandra Olsen, director of the UB Art Gallery: "Whether you like it or not, it enlivens the plaza."

The artwork in Founders Plaza is just the initial offering in what is expected to be a broader public art initiative at UB.

"If we are to be more competitive, able to recruit, retain and expect the best from our faculty, staff and students, and contribute the best we can to the community, we have got to be a more beautiful, lovable and delightful place," Shibley said. "If we start with the premise that there is no such thing as an ugly place so much as an incomplete place, we have a lot of work to do in landscape, in social and public spaces throughout the campus, to create the support that students, faculty and staff need to be a great university.

"With that in mind, you can think of every public space as a kind of almost blank canvas on which to paint," he said. "What we need to do is put in place a variety of programs."

Restoration of Founders Plaza, which Shibley called "a modest first step example," initially was conceived as an infrastructure project. "The question becomes, can we trade up while we fix it?" he asked, noting that UB's master plan "will not miss a single construction opportunity" to make the campus a better, more beautiful place.

So that means new landscaping, new geometry in the paving pattern and granite curbs, as well as the artwork, which, Shibley said, presents "an artistic entrance to the plaza."

Shibley said the larger public art program will have at least three dimensions, the details of which still are being worked out. They will include formal, gallery-quality, high-profile art, such as the work by Tolle in Founders Plaza; more experimental, cutting-edge art; and artwork by UB faculty and students that is tied to the curriculum and "that is explicitly UB."

The program will feature a wide range of types of art, including performance art, Shibley said.

"Imagine, for example, at noon, walking the Spine and having someone with a violin sitting on a bench, like you might in the New York City subway," he said. "Maybe it's clowns with balloons. Animating the space on the campus and bringing life to the public realm is a part of what we're thinking about."

A formal public art program is not yet in place, Shibley stressed, noting that the committee that brought the Tolle work to campus is meeting to develop such a program. The Tolle exhibition, he said, will serve as "an example of how to go forward" with a public art program.

The Tolle exhibition came to campus via the intervention of a UB alumnus, noted California gallery owner Wayne Blank, B.A. '66.

Olsen explained that she frequently meets with Blank, who founded the Bergamot Station arts complex in Santa Monica and owns the Shoshana Wayne Gallery with his wife, Shoshana, to exchange information. During one such meeting, Blank, a member of the College of Arts and Sciences Dean's Advisory Council, lamented the barren landscape and lack of sculpture on campus, and suggested that Olsen contact Tolle about "For the Gentle Wind," which had been commissioned by Cleveland Public Art and had just finished a two-year temporary installation in downtown Cleveland.

The artwork, Olsen said, was perfect for UB since it reflects the effect of the wind coming off Lake Erie. "It is amazing," she said. "It sounds like it was made for us."

The timing also was key, Olsen said, pointing out that it is better to undertake a public art initiative as part of the master planning process, rather than after the master planning has been completed. "It fit in with the interests of the university with having some kind of public art project," she said.

Moreover, Blank agreed to pick up the costs associated with installing the artwork at UB.

The next question, Olsen said, became where to site the artwork.

A number of locations across the two campuses were considered, including Founders Plaza.

Tolle, Olsen said, loved the plaza site, which pairs the geometric squares of concrete in the plaza with the classical pedestals and urns—traditional shapes askew from the effects of the wind.

Tolle came to campus and consulted a wind study of Founders Plaza to map out the locations of each of the urns, she said, noting that the artwork was installed just before Homecoming weekend last month.

The artwork will change several times a year, she noted, as the plantings in the urns change with the seasons. Plaques describing the artwork soon will be installed at each end of the plaza.

In addition to Olsen and Shibley, members of the committee who brought the Tolle artwork to campus are Harvey Breverman, SUNY Distinguished Professor Emeritus, Department of Visual Studies; Robert J. Scalise, assistant director for exhibitions and collections, UB Anderson Gallery; Michael Dupre, associate vice president, University Facilities; Brian Carter, dean, School of Architecture and Planning; Katherine O. Kittredge, associate director, Capital Facilities and Space Planning; and Kathleen Heckman, executive assistant to the vice president for development and alumni relations.