Our graduate students are incredibly active in research, in the creative arts, and in the profession. In the past five years, they have received the following awards: a Visiting Artist Fellowship at the American Academy in Rome; a Ralph Emerson Society Dissertation Grant; an AAUW Dissertation Grant, and a Humboldt Foundation Fellowship. They have published critical articles and creative work in major journals and magazines. And they’ve written and translated novels, performed poetry at MoMA, and written an award-winning documentary film.
In doing research for their dissertations, students have taken advantage of the James Joyce Collection here in Buffalo but have also received grants to travel to archives like the Library Company of Philadelphia, the Library of Congress, the Huntington Library and the American Library Association Archives.
Below is a list of selected graduate dissertation titles completed since 2017 and a list of current graduate students in the program, first PhD students and then MA and Certificate in Innovative Writing students, with attached CVs.
All graduate students at the University at Buffalo are welcome to join the Graduate Student Employees Union (GSEU). The GSEU has been fighting for graduate workers since 1977 and is affiliated with the Communications Workers of America (CWA), having won recognition in 1991.
2023
Brandon Boudreault
“In the American Garden: Environmental Influence from Thoreau to Anne Spencer”
Chair: Cristanne Miller
Brent Cox
“Infrastructuralist Writing”
Chair: Judith Goldman
Nathaniel Dickson
“Postmodern Genre Fiction”
Chair: David Schmid
Joshua Flaccavento
“A Lost and Precious Place: Ecology, elegy, and Erasure in the Central Appalachian Coalfields”
Chair: James Holstun
Alexandra French
“Manly Martyrs and the Mother Martyred: Gendered Sacrifice in 20th Century Ireland”
Chair: Joseph Valente
Hyoseol Ha
“Empowerment from the Margins: Kinship, Care Work, and disability Justice in Black America, 1850–1990”
Chair: Miriam Thaggert
Jocelyn Marshall
“Complicating Borders: Experimental Art and Writing of U.S.-based Diasporic Feminists, 1970s-80s”
Chair: Myung Mi Kim
Jiwon Ohm
“Recycling the Middle Ages: Inventing the Roots through Fantasy Literature”
Chair: David Schmid
Cheryl (Chambers) Weaver
“‘You know it is customary’: Emily Dickinson and Nineteenth-Century Epistolary Practice”
Chair: Cristanne Miller
2022
Sarah Goldbort
“Masquerade and Authenticity: Women’s Ambiguous Subjectivity in British Literature, 1720–1860”
Chair: Carine Mardorossian
Laura Hensch
“Invisible Gaps in Elliptical Forms: Multilevel Formal Experimentation in Novels by Joyce, Richardson, and Beckett”
Chair: Damien Keane
George Life
“Graveyard of Languages: Neologism and American Identity in Contemporary Experimental Writing”
Chair: Myung Mi Kim
Nicole Lowman
“A Poetics of Inversion: Resignifying Racial Common Sense in the 20th and 21st Century United States”
Chair: David Schmid
Dipanjan Maitra
“‘Built with Glue and Clippings’: Modernist Collaboration and the Press-Cutting Bureau”
Chair: Damien Keane
Adam Mitts
“The Work of Illness: Queer Aesthetics and Politics After the AIDS Crisis”
Chair: Judith Goldman
Yuji Otani
“Modern Sentimental Fiction”
Chair: Stacy Hubbard
Morgan Pulver
“Reading On: Derrida, Beckett, and the Unreadable Text”
Chair: Joseph Valente
Kezia Whiting
“Modernist Intimacy: Free Indirect Style from Austen to Coetzee”
Chair: Joseph Valente
Meagan Wilson
“Breaking Down and Rising Up: Remediating Grasses in American Poetics”
Chair: Judith Goldman
2021
Allison Cardon
“Writing Wrong: Outsider Injury, Rights, and Senses of Injustice in Eighteenth-Century British
Literature”
Chair: Ruth Mack
Matthew Connolly
“Heroes of the Professional-Managerial Class: Race, Pop, and the Paraliterary on the New Left”
Chair: Damien Keane
Adam Drury
“Imagine There’s No Human: Postcolonial Poetics and the Caribbean Psychoanalytic”
Chair: Carine Mardorossian
Shao-Wei Huang
“Fear of the Enlightenment: A Study of the Experience and Perception in the Gothic”
Chair: Ruth Mack
Daae Jung
“The Remnant: Agamben and the Problem of Universality in Contemporary American Literature”
Chair: Steven Miller
Caitlin McIntyre
“Modernism’s Plantations, from James Joyce to Derek Walcott”
Chair: Damien Keane
Cassandra Scherr
“Human Pain, Monstrous Pleasure: Black Feminine Monstrosity and Its Potential for Black Pleasure Through Uses of the Speculative”
Chair: James Holstun
Travis Sharp
“Poetry’s Mattering: Material Semiosis and Semiotic Materiality in 20th and 21st Century Poetics”
Chair: Judith Goldman
Ryan Smith
“Shaping Absurdity in Medieval Romance: Reductio ad Absurdum as Narrative Structure”
Chair: Randy Schiff
Kinga Winnicki
“Imagined Cityscapes: New Perspectives on Future Urbanization in Contemporary Speculative Fiction”
Chair: Joseph Conte
2020
Hiroshi Aiki
“Spectatorship and Modernity in American Literature”
Chair: William Solomon
Woodrow Brown
“‘Finding is the first Act’: Nineteenth-Century American Literature and the Discourse of Science”
Chair: Cristanne Miller
Andrew Dorkin
“‘The Mind Sneezing’: Modernist Poetry and the Para Mediation of Humor”
Chair: Cristanne Miller
H Fogarty
“Tactile Values: Touch in Victorian literature and Psychology”
Chair: Rachel Ablow
Martin Goffeney
“In Case of Emergency: Science Fiction and Survival in the Age of Climate Change”
Chair: William Solomon
Adam Katz
“Ostinatic Doxgraphy: Parallel Inquiries to Metaphysical Content-Structures of Modernist-Adjacent American Poetry”
Chair: Myung Mi Kim
Ajitpaul Mangat
“Forms of Disability: Sensation, Narrative, and Care in the Modernist Novel”
Chair: Joseph Valente
Amanda McLaughlin
“Beauty’s Loss: Aesthetics and Ethics in Eighteenth-Century British Literature”
Chair: Ruth Mack
Claire Nashar
“Bad Translator: Experimental Translation in New North American Poetry”
Chair: Myung Mi Kim
Charles (Michael) Pawluk
“Laughing Upward: Comic Violence in Eighteenth-Century British Literature”
Chair: Ruth Mack
Sean Pears
“Militant Optimists: How Anti-Slavery Poets Reconstructed Citizenship after Appomattox”
Chair: Cristanne Miller
Jacob Reber
“The Fabrication of Fluidity: Glitch, Remediation, and the Protocols of Reading”
Chair: Myung Mi Kim
Angela (Veronica) Wong
“The Production of Literary Value: Women’s Cultural Activism in the U.S., U.K., and Caribbean, 1910–1970”
Director: Carine Mardorossian
2019
Christopher Bomba
“The Antinomies of Decentralization and Scale for North American Anarchist Thought”
Chair: Chad Lavin
Patricia Chaudron
“William Dean Howells and the Making of a Realist Poetics: Literary Form and Social Responsibility in Late Nineteenth-Century America”
Chair: Carrie Bramen
Seth Cosimini
“Imagined Cemeteries: Mortuary Rituals, Racial Terror, and the American Literary Canon”
Chair: Hershini Young
Michael Flatt
“Post-Digital Poetics”
Chair: Judith Goldman
Min Young Kim Godley
“Globalizing Emerson: The Emersonian Event in Literature, Philosophy, and Translation”
Chair: Robert Daly
Declan Gould
“Radical Accessibility: Disability in American Poetry after 1960”
Chair: Judith Goldman
Sunjae Jun
“Crossing Borders and Shadow Tag in William Faulkner and Louise Erdrich”
Chair: Bruce Jackson
Jeremy Lakoff
“Intermediation: Technology, Immediacy, and Noise in Modern Literature”
Chair: Damien Keane
Hye Jin Lee
“Trauma, Dilemma, Language, and the Crisis of Narrative in the Works of Joseph Heller, Kurt Vonnegut, and Don DeLillo”
Chair: David Schmid
Shubhangi Garg Mehrotra
“Transgressing Disability: Embodied Contamination in Postcolonial Parsi Anglophone Fiction”
Chair: Carine Mardorossian
Todd Miller
“Heteronomies of the Senses: The Empirical in Late American Modernism”
Chair: David Schmid
Amanda Montei
“Home-bodies: Language, Genre, & Work in Postwar Feminist Writing & Performance”
Chair: Myung Mi Kim
Eon Joo Park
“The Art of Anger: Reimagining Emotion, Gender, and Class in Early Modern English Literature”
Chair: Graham Hammill
Kyungran (Kayla) Park
“Beyond Us and Them: Empathy, Justice, Gender in Renaissance All”
Chair: Graham Hammill
Hannah Ryan
“‘A Paradise Within’: Spiritual Responses to Modernity in the Global South”
Chair: William Solomon
Kellie Sharp
“Experimental Intimacies and Biopolitics: 20th Century Women’s Writing and the Politics of Bodily (Ex)change”
Chair: Ewa Ziarek
Yu Ching (Louis) Wu
“Alle Schall Be Wele?: In Search of Unhappy Emotions in Middle English Metrical Romances”
Chair: Randy Schiff
2018
Amanda (Andi) Coulter
“Urban Circuitry: Community Building through Noise in Downtown New York City, 1973–1981”
Chair: Bruce Jackson
Soma Feldmar
“Self, Language, and the Other: A Blasserian Poetics”
Chair: Ewa Ziarek
Jonathan Fernandez
“Foundations and Techniques for Computational analysis: Working with the 16th- and 17th-Century English Prose Fiction Corpus”
Chair: Steve McCaffery
James Godley
“Against Infinite Grief: Morning and Speculative Invention in Postbellum American Literature”
Chair: Carrie Bramen
Eleanor Gold
“Creature Discomforts: Bodies, Trans-Corporeality, and Literature in the Anthropocene”
Chair: Christina Milletti
Joseph Hall
“‘The Spring of Life, The Poisonous Spring’: Water, Property, and Waste in Restoration Literature”
Chair: Ruth Mack
Lara Hubel
“Female Capitalists in the Gilded Age”
Chair: Carrie Bramen
Chung Hwan Joe
“Representing 9/11: Intermediality, Plurality and Temporality”
Chair: David Schmid
Patrick McDonald
“Aristocratic Capital: Democratic Ideology and Capitalist Practice from Charles Brockden Brown to Herman Melville”
Chair: Kenneth Dauber
Holly Melgard
“Poetics of Ubiquitization: Textual Conditions of and for the Ubiquitous Age”
Chair: Myung Mi Kim
Naila Sahar
“Reimagining the Muslim Women: Gendered Religious Life and resistance in the Age of Islamophobia”
Chair: Carine Mardorossian
Jung Eun Seo
“(Re)Embodying the Self”
Chair: Kari Winter
Joseph Yearous-Algozin
“Object Refuse: Contemporary Poetics of Impoverishment”
Chair: Steve McCaffery
Henrikus Yulianto
“East Meets West: Spontaneity in Beat Poetry as Buddha-Dharma and Visions of Spiritual Ecology”
Chair: Ming Qian Ma
2017
Emily Anderson
“Surviving Little House: Adaptations of Wilder’s Transnational Prairie”
Chair: Carrie Bramen
Shayani Bhattacharya
“Memory in Absentia: the (Im)Possibility of Representing Memory in Post-1945 Anglophone Fiction”
Chair: David Schmid
Jeremiah Bowen
“The Aestheticization of Production”
Chair: Kalliopi Nikolopoulou
Kristina Darling
“‘An Imagist Turned Philosopher’: Formal Innovation, Conscious Experience, and the Self in Modernist Women’s Poetry”
Chair: Steve McCaffery
Alison Fraser
“Homemade (Post)Modernisms: Ephemeral Objects in the Twentieth-Century American Poetry Archive”
Chair: Myung Mi Kim
Joel Goldbach
“Not without Literature: Joyce with Lacan in the Reinvention of Psychoanalysis”
Chair: Joan Copjec
Daniel Gomes
“Songs of the People: Ballads, Media, and the Irish Left, 1922–1972”
Chair: Damien Keane
Ana Grujic
“Treading the Invisible: Contemporary Performances of Black Freedom”
Chair: Hershini Young
Joao Guimaraes
“Life Lines: Post-Sixties American Poetry and the Concept of Living Form”
Chair: Ming Qian Ma
Morani Kornberg
“Poetics of Protest: Trans-Nationalism in Israeli Anglophone and Hebrew Lyric Poetry”
Chair: James Holstun
Travis Matteson
“Less Metaphorical: Medium Neutrality and Contemporary Poetry”
Chair: Judith Goldman
Jesse Miller
“The Birth of the Literary Clinic: Modernism, Bibliotherapy, and the Aesthetics of Health”
Chair: William Solomon
Yoon Ha Shin
“Reimagining the Body: Corporeal Practices and Female Subjectivity in Contemporary American Women’s Fiction”
Chair: Kari Winter
Allison Siehnel
“Gothic Guilt in American Literature, 1798–1865”
Chair: Carrie Bramen